Celebrating Black Lives on Screen

In honor of Black History month, my February column in Planning Magazine highlights a number of recent films that celebrate Black lives, with an emphasis on stories of Black joy.

With these [more diverse] voices comes a much more complex range of characters, emotions, lives, settings, perspectives, and stories for the cinema, extending far beyond the pat narratives of the past — which even when sympathetic, all too often cast Black lives as being limited to the subjects of oppression, especially in the urban context.

As Imani Perry, professor of African American studies at Princeton University, wrote in the article “Racism Is Terrible. Blackness Is Not” last summer: “The injustice is inescapable. So yes, I want the world to recognize our suffering. But I do not want pity from a single soul. Sin and shame are found in neither my body nor my identity. Blackness is an immense and defiant joy.”

This profound yet simple notion is spreading and reframing the way mainstream film captures the experience of being Black in America…. With special attention to stories that explore the interaction of people, places, and planning, here are a few that planners can add to their streaming queue, this month and always.

See Planning Magazine for the full article.

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On Rick Prelinger’s “Lost Landscapes…”

I’ve just finished a really fun feature in Experience magazine on Rick Perlinger’s “Lost Landscapes…” films.

Far more than just a movie screening or local history talk, the event is an alchemical spectacle, in which old images — traces of light, etched on scraps of celluloid ages ago — are re-awakened to recall our urban past….

Thanks so much to my editors at Experience, Joanna Wiess and Erick Trickey, as well as Rick Perlinger for spending time with me to talk about his work, as well as Sharon Harlan at Northeastern, who added some thoughtful comments to the piece. (Click here for the article.) Enjoy!

ps: Be sure to notice the 1918-era pandemic masks on the guys in the streets in the short video illustration….!

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Wiseman’s “City Hall” Filmerick

Here’s another filmerick for your enjoyment. (You’ll note that this one, on Fred Wiseman’s latest documentary, City Hall, is a lot shorter than the film itself.)


City Hall (Fred Wiseman, 2020)

As the five hour mark he was nearing
Wiseman must have expected some jeering.
   It’s far beyond copious,
   A real magnum opius:
It’s as long as a Zoning Board hearing.

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Mayors on Film

For my latest column in Planning Magazine, I discussed a number of recent mayors on the big (and small) screen, including thoughts on Fred Wiseman’s City Hall, David Osit’s Mayor, and the latest NBC sitcom starring Ted Danson, Mr. Mayor.

And, of course, I couldn’t resist including a shout-out to the unforgettable Mayor of Amity Island from Jaws, portrayed by Murray Hamilton…

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Kachalka (Gar O’Rourke, 2019)

Located in a seemingly-forgotten scrubby clearing of a wooded park on Kiev’s Dolobetski Island, the open-air free-weight gym of Kachalka is like an adventure playground for adults. A relic from the Soviet Era, the lifting facility is lovingly stewarded (and constantly expanded!) by caretaker Petro Shakhanov.

Gar O’Rourke’s short (9 min.) film, produced with funding from Screen Ireland and made available for free streaming via the PBS “POV” series, captures the spirit and the creativity of this location: it is a classic example of the way people in an urban context — even (or perhaps especially) during periods of economic down-turn – are able to tap into their deep reserves of creativity, grit, and communal resources to make do (and more), creating value out of waste, forging community out of the daily magic of simply showing up and sharing. The site hosts a bizarre menagerie of home-made — and quite curious — exercise machines fashioned from scrap metal, rusty chains, and whatever other spare parts have been saved and salvaged over the years, which the camera crew (and some new visitors to the Island) have a lot of fun exploring. (The sound team had a good time as well: throughout the film, the scenes are sewn together with a continuous soundtrack of cheery clanking metal.)

Interestingly, the film makes no mention of recent threats to the future of the facility, which exists in a sort of legal limbo. As with countless other types of urban “informal uses” — including community gardens, vacant lot soccer fields, prime graffiti mural sites, underground clubs and rave venues, sidewalk markets, and even shanty-towns and squatter settlements — properties such as this are allowed to thrive when land values are low, but become targets for formalization when the economics shift in favor of development.

One assumes the production team was aware of the issue: hopefully the film will help raise awareness of the community value of the park; at worst, it will at least preserve some of this legacy for future generations. For the moment, support for the gym seems strong, as the current pandemic conditions have increased the need for outdoor recreation (and, presumably, decreased market-forces pushing for development). After the bridge leading to the island was closed and weightlifters demonstrated their commitment by swimming to the island for their daily workouts, the police relented are agreed to re-open the access.

The film has screened in festivals around the world, including HotDocs, Newport Beach, and Flickerfest (where is received a special mention), but thanks to PBS you can watch it at home for free while you complete your own workout.

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