Urban Planning Film Series: Right to Fail (Oct 15, 2020 @ 7PM)

Please join us for this film screening and discussion as part of the ongoing MIT Urban Planning Film Series.

Thousands of New Yorkers with severe mental illnesses won the chance to live independently in supported housing, following a 2014 federal court order. In “Right to Fail,” FRONTLINE and ProPublica investigate what’s happened to people moved from adult homes into apartments and find more than two dozen cases in which the system failed, sometimes with deadly consequences.

The screening will be followed by a special Q&A audience discussion with ProPublica reporter Joaquin Sapien.

Registration required: https://mit.zoom.us/meeting/register/tJUkfuGqqzMjGdaJE48IheqJI_CEvs3u3sH5 (after registering, you will receive a confirmation email containing information about joining the meeting).

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Urban Planning Film Series: Portraits and Dreams (Oct 8, 2020 @ 7PM)

Please join the MIT Urban Planning Film Series for this special screening and moderated discussion as part of a special community viewing partnership with PBS/POV documentary films.]

Portraits and Dreams revisits photographs created by Kentucky schoolchildren in the 1970s and the place where the photos were made. The film is about the students, their work as visionary photographers and the lives they have led since then, as well as the linkage of personal memory to the passage of time.

A POV co-production with funding provided by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Registration required: https://mit.zoom.us/meeting/register/tJMkf–pqjgiHtOVXfHKWPlQ2dghRfzzZI13 (after registering, you will receive a confirmation email containing information about joining the meeting).

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Figure 1: Portraits and Dreams/POV

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The Pathos of Public Institutions: The Films of Fred Wiseman

From a feature essay on the films of Fred Wiseman:

For more than 50 years and across nearly as many films, legendary director Fred Wiseman has made a career of exploring the public institutions of the modern world. From libraries to public housing and city hall to the welfare office, Wiseman’s collected oeuvre provides a ringside seat to the daily work of government bureaucracies and other public settings — many of which will be (often frustratingly) familiar to readers of Planning magazine.

Wiseman’s style is not for everyone: scenes of daily life unfold at their own natural pace, and with minimal cutting. Shots are long, background noises are present, and seemingly endless minutes creep by with very little conventional “movie action”: a woman sweeps a floor; children fidget waiting for the start of an all-school assembly; a researcher sorts photos in the library.

But these marginal times and spaces are where the pathos of people and places reside. Rather than summarize or digest the material for us, Wiseman’s camera strives to inhabit these places for a time, so that we may come to understand what it means to attend this school, or live in this housing, or be at the mercy of this social service agency. And while the camera does not flinch from confronting the reality of the interactions it captures — some of which are tense, violent, or even graphic — it does so with empathy. Wiseman is never exploitative or voyeuristic, and while his films are often funny, the humor is never at the expense of his subjects….

For the full essay, see the July 2020 issue of Planning Magazine.

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Bearing Witness to Disaster: review of “And the Floods Came: Nebraska 2019”

In March 2019, documentary filmmakers Bill Kelly and Chris Flannery set out to capture footage in Nebraska to commemorate the 150th anniversary of the Transcontinental Railroad. Unfortunately, Mother Nature had other plans for them: Their filming schedule in Boyd and Knox counties coincided with one of the most severe flooding incidents in recorded history, and by many accounts the worst disaster ever to hit the state. And the Floods Came: Nebraska 2019 is a stunning example of the ability of a heads-up camera crew — and everyday citizens — to pivot and document history unfolding around them.

As the film makes clear, “the impact of severe weather for several days in March in Nebraska will last for years.” Using images captured by the professional team and hundreds of affected citizens, the film bears witness to the awesome and destructive power of rainwater, when it gathers and floods beyond the capacity of our rivers and engineered infrastructure systems.

As was made clear a decade ago when Hurricane Katrina hit New Orleans (and documented in a number of excellent films; check out When the Levees Broke and Trouble the Waters), once again, the story of flooding interweaves both natural and man-made disasters, as dams and other flood-control mechanisms proved inadequate to the sheer volume of water produced by this “bomb cyclone.” Bridges collapsed, and entire towns were left cut off and stranded from aid. All told, the damage was estimated to be over $1.3 billion statewide.

But along with documenting the disaster, fear, and loss — of lives, homes, and communities — the film also highlights the region’s spirit of resilience as the state grieves and rebuilds — and begins to prepare for the next disaster.

From the May 2020 issue of Planning Magazine.

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When Your Zip Code Is a Health Risk: review of “Cooked: Survival by Zip Code”

In these days of global pandemics, hurricanes, floods, raging wildfires, and other disasters of seemingly biblical proportions, it can be hard to remember how devastating even a simple heat wave can be — especially when the conditions of poverty, aging, urban air pollution, and failing infrastructure combine, as they did in Chicago 25 years ago. In the summer of 1995, the heat index spiked to more than 126 degrees, leading to the death of more than 700 residents in just one week.

This human-made tragedy is the subject of Cooked: Survival by Zip Code, a new PBS/Independent Lens documentary by Judith Helfand based on Eric Klinenberg’s excellent 2002 book, Heat Wave: A Social Autopsy of Disaster in Chicago. Courtesy Kartemquin Films.

As the film explores, most of the victims were low income, elderly, and Black, and they died alone and isolated — killed more by social neglect, structural racism, and poor planning than the heat itself. For people living on the edge — both physically and economically — access to a reliable electric grid, an air-conditioned library or senior center, or even just a simple crosstown bus can mean the difference between life and death.

At the heart of this analysis is a simple and striking “heat death map,” which uses the basic tools of spatial analysis familiar to most planners to make the case, finding “almost perfect overlaps” between neighborhoods with the most heat-related deaths and those with the highest levels of poverty.

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The film is available for streaming. Viewers will also find extensive background and follow-up material on this pressing and oft-ignored challenge.

From Planning Magazine.

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