Review of “The Hottest August”

Assembled from meandering footage shot in New York City’s outer boroughs over a single summer month in 2017, The Hottest August is ostensibly about the effects of climate change on urban neighborhoods. But what emerges from director Brett Story’s artful and meditative treatment is so much more: a disquieting inquiry into an unsettling age of fear in the face of an uncertain future.

Blending irony with classic cinéma vérité, the camera captures daily discussions and street-corner interactions, from barroom conversations (“talk sports, never politics”) to the mystical peregrinations of a space-suit wearing “Afronaut” who has journeyed back from the future to exchange knowledge and experiences across time (only in New York!).

If we are willing to suspend our need for a linear narrative and surrender to this seemingly random assortment of encounters, what emerges is a powerful new form of film. As the emotions of these people and places seep into our unconscious mind, we uncover a profound portrait of a community perched on the edge of oblivion — ecologically, economically, existentially; what the filmmakers refer to as “a portrait of collective anxiety.”

From the December 2019 issue of Planning Magazine.

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Review of “Anthropocene: The Human Epoch”

Earth has entered a new geological epoch in its 4.5-billion year history. Just as the Pleistocene gave way to the Holocene 12,000 years ago, our planet is now in the “Anthropocene,” characterized by the pervasive effects of human impact on a global scale.

Exploring this “Human Epoch” — how we got here and what it means for our future survival — is the subject of Anthropocene, an artful and meditative new documentary, third in a series from the filmmaking team of Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky.

From Siberia to the Great Barrier Reef, Anthropocene explores the ways our technologies, settlements, and patterns of consumption and waste have altered every environment and ecosystem on the planet. The camera captures beautiful, striking, and terrifying images of the awesome power and epic scale of modern human enterprises. From open-pit mining in Germany to vast lithium processing fields in Chile, from China’s great sea wall to Nairobi’s sprawling landfills, humanity has literally become a geological force: we are terraforming our own planet through everything we do.

More often than not, these changes are found to be both dangerous — to humans or other life forms — and irreversible. The film strives to end with a hopeful message: As with any sort of addiction, recognizing the problem may be the first step towards positive change. But other than an upbeat folk song to accompany the closing credits, little evidence of progress can be found.

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From the November 2019 issue of Planning Magazine.

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“Owned: A Tale of Two Americas” (2019)

See Planning Magazine for our take on “Owned: A Tale of Two Americas,” the new documentary by Giorgio Angelini. The film explores the current housing crisis — and the long history of inequality and racism that led us here.

Importantly, the film shows that while the 1960s’ civil rights legislation was meant to address these problems, enforcement has never been strong, and racial disparities in ownership and wealth, once established, have persisted.

The film is showing around the country in limited-theatrical release and available for streaming on iTunes and other platforms.

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“Charm City” review on CityLab

Check out the Atlantic’s CityLab for Ezra Haber Glenn’s latest review of Charm City, a new documentary by Marilyn Ness set on the streets of Baltimore.

Thus, while the film is full of the clichés and conventions of both police procedurals and “poverty-porn,” the overall experience is refreshingly new. Viewers are neither titillated nor terrorized, but are instead invited to take their time and actually experience these places and interactions, reflecting on how they are lived and felt by the people in the documentary….

See CityLab for the full review.

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“The World Before Your Feet” review on CityLab

The Atlantic’s CityLab features Ezra Haber Glenn’s review of Jeremy Workman’s new documentary, THE WORLD BEFORE YOUR FEET. Click, read, watch, share.

As he describes his current project on his blog “I’m Just Walkin’,” it’s a natural, deeper “counterpoint” to his cross-country walk: “Instead of seeing a million places for just a minute each, I’m going to spend a million minutes exploring just one place.” What emerges is a kind of plain-spoken psychogeography, an honest fascination with the details of life and the little mysteries of the city….

See CityLab for the full review.

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